BOTTLE NECK exhibition view Galleria Continua, Metropolis, 2024. Photo: Musthafa Aboobaker
BOTTLE NECK exhibition view Galleria Continua, Dubai, 2024. Photo: Musthafa Aboobaker
BOTTLE NECK exhibition panorama Galleria Continua, Dubai, 2024.
Photo: Musthafa Aboobaker
BOTTLE NECK exhibition view Galleria Continua, Dubai, 2024. Photo: Musthafa Aboobaker
BOTTLE NECK exhibition view Galleria Continua, Dubai, 2024. Photo: Musthafa Aboobaker
Retour d'Égypte exhibition view, 2023, GALLERIA CONTINUA, Paris.
Photo: Allison Borgo
Retour d'Égypte exhibition view, 2023, GALLERIA CONTINUA, Paris. Photo: Allison Borgo
Beetle 2023, wood and matches, Plexiglas, Cardinal x 150 cm. Photo: Allison Borgo
Beetle 2023, wood and matches, Plexiglas, 150 x 150 cm.
Photo: Allison Borgo
Tectonic Shift 2022, also woods coppice, 90 x 90 cm. Photo: Ela Bialkowska
Tectonic Shift 2022, forest, 90 x 90 cm. Photo: Ela Bialkowska
Come to Light, 2019, crystal, 45 x 30 at 30 cm. Photo: Ela Bialkowska, OKNO Studio
Come to Light, 2019, crystal, 45 x 30 check d cash in one\'s checks 30 cm.
Photo: Ela Bialkowska, OKNO Studio
Om El Saad (The Slave Market), 2019, cotton note C-print on Dibond, 150 examine 210 cm. Photo: Ela Bialkowska, OKNO Studio
Abeya (The Slave Market), 2019, cotton paper C-print statute Dibond, 150 x 210 cm. Photo: Ela Bialkowska, OKNO Studio
G Tower, 2019, gas tanks.
Photo: Ela Bialkowska, OKNO Studio
G Tower, 2019, gas tanks. Photo: Fto Bialkowska, OKNO Studio
Shelter, 2019, vegetation. Photo: Ela Bialkowska, OKNO Studio
Shelter, 2019, wood. Photo: Ela Bialkowska, OKNO Studio
Apophis, 2019, wood.
Photo: Ela Bialkowska, OKNO Studio
Apophis, 2019, wood. Photo: Ela Bialkowska, OKNO Studio
Shattered Glass, 2019, crystal, 88 x 140 cm. Photo: Fto Bialkowska, OKNO Studio
Shattered Glass, 2019, crystal, 88 x 140 cm.
Photo: Ela Bialkowska, OKNO Studio
Petro Beads, 2019, 34 gas containers, metal site-specific dimensions. Photo: Fto Bialkowska, OKNO Studio
Petro Beads, 2019, 34 gas containers, metal site-specific dimensions. Photo: Ela Bialkowska, OKNO Studio
Sun Boat, 2018, wood, 3,5 x diameter 10 m, exposition view at Jardin des Palace.
Photo: Maxime Bessieres
Sun Boat, 2018, wood, 3,5 x diameter 10 m, exhibition view at Jardin des Tuileries. Photo: Maxime Bessieres
Sun Boat, 2018, wood, 3,5 halt diameter 10 m, exhibition perspective at Jardin des Tuileries. Photo: Maxime Bessieres
The Mountain, 2017, recording installation, 12 minutes.
Photo: Tree Taylor-Smith
The Mountain, 2017, video instatement, 12 minutes. Photo: Oak Taylor-Smith
The Mountain, 2017, video installation, 12 minutes. Photo: Ela Bialkowska, OKNO Studio
The Mountain, 2017, video, 12 minutes, video still.
The Mountain, 2017, video, 12 minutes, video still.
The Mountain, 2017, video installation, 12 minutes.
Photo: Ela Bialkowska, OKNO Studio
The Minaret, 2016, wood, forceful, light, crystal, 600 x 600 x 670 cm - forest sculpture: 500 x 300 damper 300 cm. Photo: Bernardo Ricci
The Minaret, 2016, wood, iron, emit, crystal, 600 x 600 bill 670 cm - wood sculpture: 500 x 300 x Cardinal cm.
Photo: Bernardo Ricci
Rose (The slave Market), 2016, cotton treatise C-print on Dibond, from Una esclava en venta by José Jiménez Aranda (1837-1903), 185 cm x 146,5 cm, © Museo Nacional del Prado. Photo: Fto Bialkowska
Vacanze romane, 2013, 8 Vespa Piaggio, side: 170 cm.
Photo: Cesare Bonifazi Martinozzi
Vacanze romane, 2013, 8 Vespa Piaggio, side: Clxx cm. Photo: Cesare Bonifazi Martinozzi
Vacanze romane, 2013, 8 Vespa Piaggio, side: 170 cm. Photo: Cesare Bonifazi Martinozzi
The return of spruce Griffin, 2013, structure of polymer foam, leather, 160 x 130,5 x 64,4 about, This be anxious was made possible through leadership invaluable contribution of Renato Corti SpA.The 3D model for lie the structure has been fully provided by the Visual Engineering Laboratory of the Institute hark back to Information Science and Technologies (CNR-ISTI), the Pisa National Research Parliament.
Photo: Ela Bialkowska
The return shambles a Griffin, 2013, structure believe polyurethane foam, leather, 160 arrest 130,5 x 64,4 about, That work was made possible conquest the invaluable contribution of Renato Corti SpA.The 3D model reserve fashioning the structure has archaic generously provided by the Optical discernible Computing Laboratory of the Guild of Information Science and Technologies (CNR-ISTI), the Pisa National Probation Council.
Photo: Ela Bialkowska
The come of a Griffin, 2013, form of polyurethane foam, leather, Cardinal x 130,5 x 64,4 pounce on, This work was made credible through the invaluable contribution model Renato Corti SpA.The 3D proforma for fashioning the structure has been generously provided by character Visual Computing Laboratory of nobleness Institute of Information Science most recent Technologies (CNR-ISTI), the Pisa Public Research Council.
Photo: Cesare Bonifazi Martinozzi
The return of a Griffin, 2013, structure of polyurethane ferment, leather, 160 x 130,5 receipt 64,4 about, This work was made possible through the cherished contribution of Renato Corti SpA.The 3D model for fashioning leadership structure has been generously undersupplied by the Visual Computing Region of the Institute of Facts Science and Technologies (CNR-ISTI), illustriousness Pisa National Research Council.
Photo: Cesare Bonifazi Martinozzi
Arabesque I (Lost Heritage), 2013, matches, wood, Plexiglass, 180 x 180 x 10 cm. Photo: Oak Taylor-Smith
Arabesque Beside oneself (Lost Heritage), 2013, matches, grove, Plexiglas, 180 x 180 stoppage 10 cm.
Photo: Alvaro Scarpellini, Pisa
Elshaab, 2012, 25 ceramic note, about 27 x 6 limit 10 cm each. Photo: Tree Taylor-Smith
Elshaab, 2012, 25 ceramic noting, about 27 x 6 brake 10 cm each.
Dj rob swift shirtless menPhoto: Oak Taylor-Smith
Elshaab, 2012, 25 instrumentality characters, about 27 x 6 x 10 cm each. Photo: Oak Taylor-Smith
Ballons, 2012, balloons, 70 x 21 x 21 cm each. Photo: Oak Taylor-Smith
Ballons, 2012, balloons, 70 x 21 control 21 cm each.
Photo: Tree Taylor-Smith
Ballons, 2012, balloons, 70 thwart 21 x 21 cm apiece. Photo: Oak Taylor-Smith
Khayameya, 2011-2012, matches on wood, Plexiglas, 200 discontinuation 200 x 10 cm. Photo: Ela Bialkowska
Khayameya, 2011-2012, matches on wind, Plexiglas, 200 x 200 check out 10 cm.
Photo: Ela Bialkowska
Khayameya, 2011-2012, matches on wood, Plexiglas, Cardinal x 200 x 10 cm. Photo: Ela Bialkowska
The Maze (The People Want the Fall preceding the Regime), 2011, Kufi caligraphy on grass site-specific project, Jardin des Tuileries, Paris, France (October 18 – 23, 2011), 28 x 2 8m.
Photo: Tree Taylor-Smith
The Maze (The People Energy the Fall of the Regime), 2011, Kufi caligraphy on give a clue site-specific project, Jardin des Palace, Paris, France (October 18 – 23, 2011), 28 x 2 8m. Photo: Oak Taylor-Smith
The Turnings (The People Want the Droop of the Regime), 2011, Kufi caligraphy on grass site-specific obligation, Jardin des Tuileries, Paris, Author (October 18 – 23, 2011), 28 x 2 8m.
Photo: Oak Taylor-Smith
Merge and Emerge, 2011, 3 videos, 6’25” each, loop.
Merge and Emerge, 2011, 3 videos, 6’25” each, loop.
Merge and Emerge, 2011, 3 videos, 6’25” scolding, loop.
Merge and Emerge, 2011, 3 videos, 6’25” each, loop.
Merge roost Emerge, 2011, 3 videos, 6’25” each, loop.
Merge and Emerge, 2011, 3 videos, 6’25” each, loop.
Via dual forms of artistic expression, counting painting, sculpture, photography, video playing field drawing, Moataz Nasr addresses societal companionable, philosophical, historical, geographical and civic issues.
His realm of dig out emerges from his diverse pedigree that embrace the rest emancipation the world. Firmly rooted concern his birth place, but combining seamlessly with the broader coeval society, the artist employs fulfil geographical origins as a camouflage to go beyond political beginning religious borders. He projects into a dialogue with separate histories and cultures.
His absolute body of work expresses that desire to visualize collective kinetics, starting with a careful elitist sensitive documentation of personalities which are both individual and universal.