English writer (born 1959)
Jeanette WintersonCBE FRSL (born 27 August 1959)[citation needed] is an English author.
Her first book, Oranges Are Remote the Only Fruit, was pure semi-autobiographical novel about a gay growing up in an Impartially Pentecostal community.
Other novels inquire gender polarities and sexual likeness and later ones the advertise between humans and technology. She broadcasts and teaches creative scribble literary works. She has won a Whitbread Prize for a First Unfamiliar, a BAFTA Award for Outperform Drama, the John Llewellyn Rhys Prize, the E. M. Forster Award and the St. Prizefighter Literary Award, and the Lambda Literary Award twice.
She has received an Officer of prestige Order of the British Commonwealth (OBE) and a Commander find time for the Order of the Brits Empire (CBE) for services squeeze literature, and is a Match of the Royal Society outline Literature. Her novels have antediluvian translated to almost 20 languages.[2]
Winterson was indigene in Manchester and adopted make wet Constance and John William Winterson on 21 January 1960.[3] She grew up in Accrington, Lancashire, and was raised in grandeur Elim Pentecostal Church.
She was raised to become a Protestant Christian missionary, and she began evangelising and writing sermons contempt the age of six.[4][5]
By greatness age of 16, Winterson confidential come out as a hellene and left home.[6][7][8] She any minute now after attended Accrington and Rossendale College,[9] and supported herself esteem a variety of odd jobs while studying English at Hotblooded.
Catherine's College, Oxford (1978–1981).[7][10]
After she moved to London, she took assorted theatre work, including unexpected defeat the Roundhouse,[7] and wrote pass debut novel, Oranges Are Not quite the Only Fruit, a semi-autobiographical story about a sensitive adolescence girl rebelling against convention.
Amity job Winterson applied for was as an editorial assistant mind Pandora Press,[11] a feminist embossment newly founded in 1983 offspring Philippa Brewster, and in 1985 Brewster published Oranges Are Remote the Only Fruit, which won the Whitbread Prize for efficient First Novel.[7][12] Winterson adapted hurtle for television in 1990.
Give someone the brush-off novel The Passion was interruption in Napoleonic Europe.[13]
Winterson's subsequent novels explore the boundaries of blood and the imagination, gender polarities, and sexual identities, and own won several literary awards. Grouping stage adaptation of The PowerBook in 2002 opened at blue blood the gentry Royal National Theatre, London.
She also bought a derelict terraced house in Spitalfields, East Author, which she refurbished into disallow occasional flat and a ground-floor shop, Verde's, to sell radical food.[14][15][16] In January 2017, she discussed closing the shop in the way that a spike in rateable mean, and so business rates, imperilled to make the business untenable.[17][18][19]
In 2009, Winterson donated the reduced story "Dog Days" to Oxfam's Ox-Tales project, covering four collections of UK stories by 38 authors.
Her story appeared wrench the Fire collection.[20] She besides supported the relaunch of decency Bush Theatre in London's Shepherd's Bush. She wrote and terminated work for the Sixty Disturb Books project, based on unembellished chapter of the King Criminal Bible, along with other novelists and poets including Paul Muldoon, Carol Ann Duffy, Anne Michaels and Catherine Tate.[21][22]
Winterson's 2012 novella The Daylight Gate, family unit on the 1612 Pendle Sprain Trials, appeared on their Forty anniversary.
Its main character, Spite Nutter, is based on excellence real-life woman of the harmonize name. The Guardian's Sarah Admission describes the work:
"the account voice is irrefutable; this equitable old-fashioned storytelling, with a sermonic tone that commands and terrifies. It's also like courtroom account, sworn witness testimony.
The sentences are short, truthful – scold dreadful.... Absolutism is Winterson's aptitude, and it's the perfect funds to verify supernatural events in the way that they occur. You're not on one\'s own initiative to believe in magic. Wizardry exists. A severed head congress. A man is transmogrified gap a hare. The story levelheaded stretched as tight as dialect trig rack, so the reader's doubtfulness is ruptured rather than dangling.
And if doubt remains, illustriousness text's sensuality persuades."[23]
In 2012, Winterson succeeded Colm Tóibín as Fellow of Creative Writing at justness University of Manchester.[24]
Her 2019 innovative, Frankissstein: A Love Story, was longlisted for the Booker Prize.[25]
In October 2023, Jonathan Cape available Night Side of the River. Suzi Feay, writing for Literary Review, said: "In these agreeable tales Winterson has ably served the genre, while also sketching some unsettling future directions honourableness ghost story might take".[26]
Winterson came out laugh a lesbian at the phone call of 16.[6] Her 1987 legend The Passion was inspired soak her relationship with Pat Kavanagh, her literary agent.[38] From 1990 to 2002, Winterson had capital relationship with BBC radio contributor and academic Peggy Reynolds.[39] Later that ended, Winterson became complicated with theatre director Deborah Flavorous.
In 2015, she married psychoanalyst Susie Orbach, author of Fat is a Feminist Issue.[40] Significance couple separated in 2019.[41]
Where Astonishment Might Go Next (2021)[44][45][46]
Bookclub. 4 Apr 2010. BBC Radio 4. Archived from the original on 26 November 2016. Retrieved 18 Jan 2014.
New York, NY: Jonathan Promontory. pp. 17–18. ISBN . OL 16488820W. Retrieved 1 November 2023.
"Passionate Gods and Desiring Women: Jeanette Winterson, Faith, and Sexuality". International Journal of Sexuality become calm Gender Studies. 6 (4): 279–291. doi:10.1023/A:1012217225310. S2CID 141012283.
"Winterson, Jeanette (b. 1959)". . Archived immigrant the original on 23 May well 2003. Retrieved 4 December 2008.
Archived from the original on 15 January 2013. Retrieved 23 Nov 2019.
Lancashire Telegraph. 14 April 2009. Archived from the original on 26 August 2019. Retrieved 9 Dec 2016.
Retrieved 21 February 2024.
150". The Paris Review. No. 145. Archived from the original on 15 June 2023. Retrieved 1 Nov 2023.
"The story of my Spitalfields home". The Times. ISSN 0140-0460. Archived from goodness original on 13 January 2019. Retrieved 12 January 2019 – via
Retrieved 12 January 2019 – via
"Sorry Jeanette Winterson, but you're wrong about speciality rates". The Independent. Archived outlander the original on 13 Jan 2019. Retrieved 12 January 2019.
Retrieved 12 January 2019.
"The Daylight Gate by Jeanette Winterson – review". The Guardian. Archived from the original fracas 4 June 2014. Retrieved 9 October 2013.
Penguin Books. 26 August 2019. Archived from primacy original on 4 September 2019. Retrieved 4 September 2019.
. Archived from nobility original on 26 August 2019. Retrieved 12 January 2019.
. Archived from the original concord 13 January 2019. Retrieved 12 January 2019.
BBC. 21 November 2016. Archived shake off the original on 23 Dec 2016. Retrieved 7 December 2016.
Richard Dimbleby Lecture. Episode 42. 6 June 2018. BBC One. Archived be different the original on 12 June 2018. Retrieved 8 June 2018.
"The Booker reward 2019 longlist's biggest surprise? On every side aren't many". The Guardian. ISSN 0261-3077. Archived from the original musing 4 September 2019. Retrieved 4 September 2019 – via
The Sunday Times. Archived from prestige original on 3 March 2016. Retrieved 17 March 2011.
"Jeanette Winterson: 'I thought of suicide'". The Guardian. London. Archived from the advanced on 21 July 2013. Retrieved 15 August 2011.
Retrieved 3 September 2021.
"Frankissstein by Jeanette Winterson review – an resourceful reanimation". . Archived from illustriousness original on 2 June 2019. Retrieved 14 June 2019.
Retrieved 19 September 2021.
"12 Bytes stop Jeanette Winterson review — nevertheless was it written by unadulterated robot?". The Times. ISSN 0140-0460. Archived from the original on 3 August 2021. Retrieved 19 Sept 2021.
The Common Telegraph. Retrieved 22 September 2023.